It's probably coincidence that war looms large in this week's
newsletter.
Our pick of the week is Lawless, a Prohibition-era
gangster film set against the backdrop of Al Capone, speakeasies,
and corrupt cops. Shia LeBoeuf, Tom Hardy and Jason Clarke star
as a trio of bootlegging brothers in rural Virginia who get mixed
up with the big people from Chicago, including a possibly homosexual
G-Man played by the excellent Guy Pearce.
Argo is a thriller-comedy about a real-life secret
CIA operation to smuggle a group of American embassy staff from
Iran in the weeks following Ayatollah Khomeini's toppling of the
Shah, using the improbable cover story that they've been scouting
for a sci-fi film in Teheran.
The discovery of oil in the Arabian peninsula and the wars it
created are the focus of Black Gold, which tells the story not
as a satire or political allegory of the extension of American
imperialism and interventionism, but as a old-school romance about
crafty and honorable Arab rulers and their game of thrones.
Cold War isn't about the Cold War but about modern
terrorism. In particular, how internal politics can rip apart the
security apparatus in the light of a terrorist attack. Tony Leung
Kar-fai and Aaron Kwok star as two police commissioners go to war
with each other once it's clear the terrorist attack is an inside
job.
If Gerard Butler caught your attention as the king of Sparta in
300, he'll do it again as a soul surfer in Chasing
Mavericks,
where he plays a warrior-philosopher type mentor to a young man
who will become the best surfer in recent history.
Showing at the Arts House for one week is indie film Where
the Road Meets the Sun, where a multinational cast of
characters find themselves all suitably angsty, staying in the
same run-down motel, and ready for some life-changing experiences
that will put right their direction in life.
Almost two decades ago, there was Michael Chiang's Army
Daze.
Jack Neo now returns with Ah Boys to Men, his unique
take on Singapore's national service. Will this be a boot camp
comedy or a propaganda flick? Read our review!
Till next week,
Vernon Chan
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