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20 Apr 2011

A Chinese Ghost Story

Ten years from now, people will still rent the original Chinese Ghost Story trilogy.

Rating: PG (Some Disturbing Scenes)

Director: Wilson Yip

Screenplay: Zhang Tan, Based on a story by Pu Songling

Cast: Louis Koo, Yu Shaoqun, Liu Yifei, Kara Hui, Fan Siu Wong

Release: 21 April 2011

In 1987, the Tsui Hark-written, Tony Ching-directed A Chinese Ghost Story became the fullest and finest expression of the Hong Kong New Wave cinema: it was a breathlessly energetic, extremely romantic, and very funny horror fantasy take on a 18th century Chinese boy-meets-ghoul short story. It was so successful it spawned two more sequels and an anime spin-off, cemented the career of Leslie Cheung, and typecast Joey Wong into playing the female lead in more, but lesser, supernatural films.

For those not in the know, the original A Chinese Ghost Story featured a simple but highly effective setup: impoverished and bumbling tax collector Ning (Leslie Cheung), goes to the haunted Lan Ruo Temple to stay for a night, where he meets siren Xiaoqian (Joey Wong), who lures men to have their essences sucked out by an old tree spirit called Granny (played by actor Lau Siu Ming in drag) to which she is captive to. Taoist priest Yan Chi-Hsia (Wu Ma) who has been watching on the sidelines all this while while warning Ning that “this ain’t natural sex”, finds himself joining Ning to storm hell in order to save Xiaoqian and ensure her a proper reincarnation.

The remake of the film, alas, adds a few mere details in the setup. That it adds more details when retelling the story is not the problem. It’s the kind of details that are added and how they change the overall effect - and not for the better.

Here, the result ruins the emotional hook of the original boy-meets-ghoul romance. For one thing, it switches the focus onto the Priest (here played by Louis Koo) instead, and reveals that many years ago he was a previous lover of the siren. The siren (Liu Yifei), on the other hand, is no longer a woman who died without a proper burial and therefore whose spirit was cursed to wander the Earth, but an out-and-out fox spirit (who has an avatar in animal form, much as this doesn’t make any sense) that wanders the temple. Ning (Yu Shaoqun) is not a bumbling tax collector who is despised by the townspeople simply for his vocation, but a civil servant and apparently some kind of skilled and well-equipped geologist. It even forsakes the tradition of having the Tree Demon being played by a man in drag. Kara Hui is the new Tree Demon, seemingly ugly only because she scowls a lot in pancake makeup.

The final effect is like watching Disney’s The Little Mermaid if the sea witch was presented as a beautiful woman (rather than as originally done, physically modeled on drag artist Divine.)

These few changes drastically upset the successful original formula and create a product with far less dramatic tension and contrast: it makes Ning too intelligent and too capable, takes away the eccentricity of Yan, and the emphasis of Xiaoqian as an actual demon rather than a former human being actually dampens the original’s message by affirming, rather than refuting, the message that “this ain’t natural sex”, and clutters up the film with noisy and unnecessary action. The end result is a film whose elements are out of balance and doesn’t seem to know what it wants or what kind of story it’s actually telling.

This remake of A Chinese Ghost Story is trite, forgettable and tedious. Ten years from now, it will still be the original trilogy, with its perfect balance of elements and superior storytelling, that people will rent.

读者回应

1. 2011-04-23 08:41  
Is the message of "this ain't natural sex" so central to the story? Changing Xiaoqian to a fox spirit may reduce Ning's and Yan's motivation to storm the temple, but if well-told, the audience could still empathize with the forbidden love between human-demon e.g. Madam White Snake. In addition, I would think that it is immaterial if the actor in the role of the Tree Demon was not a man in drag. What artistic value does this serve and how does it add to the central theme of the movie? If anything at all, wouldn't having a man in drag play the Tree Demon only contribute to certain pejorative notions of the GLBT community?

The real beef I have is with the choice of actors/actresses. The 2 leads don't have the same presence as Leslie and Joey but perhaps I am biased since Leslie and Joey are (despite Leslie's passing) such icons.

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