Test 2

Please select your preferred language.

請選擇你慣用的語言。

请选择你惯用的语言。

English
中文简体
台灣繁體
香港繁體

登入

记住我

初到 Fridae?

Fridae Mobile

Advertisement
Highlights

More About Us

时尚娱乐

« 较新的 | 较旧的 »
5 Jan 2011

The Last Days of Emma Blank

Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot. 

Original Title: De laatste dagen van Emma Blank

Rating: M18 (Sexual Scenes and Some Nudity)

Director: Alex van Warmerman

Screenplay: Alex van Warmerman

Cast: Marlies Heuer, Gene Bervoets, Annet Malherbe, Eva van de Wijdeven, Gijs Naber, Alex van Warmerman, Marwan Kenzari

Release: 6 January 2010 (Picturehouse exclusive)

In Dutch with English subtitles

In this stage to film adaptation starring most of its original cast, an ageing and ailing head of a family lives out her last days as queen of her domain with her entire family playing out their roles in her crackpot vision of what the good life should be. They must love her a lot to take part in a charade that benefits only her: her husband plays the butler, her daughter the maid, her sister the cook, her nephew the handyman, and her brother the family dog. Yes, the family dog.

The comedy comes from watching how badly people react when they are forced into creatively, uniquely bad situations. We’re practically assured of surreal scenes, dark humour, and the displays of passive-aggression that would rival peak hour train rides in Singapore, Shanghai, or New York. We have to thank director-writer Alex van Warmerman for creating a family that is unhappy in their unique way, as well as making their private hell disturbingly identifiable to his audience.

Watching The Last Days of Emma Blank, I am reminded of a Q&A session for The Blue Mansion where director Glen Goei pointed that his film could still be taken for a simple story about a complicated family even if one didn’t understand it could be a biting political roman a clef about an Asian strongman. But really, Mr Goei was being facetious – who would think that Raise the Red Lantern, for example, can be appreciated just as a story about a troubled family?

Why do we tend to see political allegory in family epics? Why do people make jokes about capitalism using a family as an illustration? Simple: paternalism is the oldest political philosophy, making it as old as dirt. You know, the state is like the family, the king is the father of the people... Of course, that also makes structural functionalism older than dirt.

The Last Days of Emma Blank is an impish black comedy about people behaving badly that possibly says more about the human condition than it lets on. The best part is, you’ll probably be arguing about what exactly the film allegorises hours after it ends.

读者回应

抢先发表第一个回应吧!

请先登入再使用此功能。

Social


请选择新闻及专栏版本

精选个人档案

Now ALL members can view unlimited profiles!

Languages

View this page in a different language:

赞好

合作伙伴

 ILGA Asia - Fridae partner for LGBT rights in Asia IGLHRC - Fridae Partner for LGBT rights in Asia

Advertisement